long blues licks

Here is the music notation and backing track : The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. Or you can play them in sequence over a standard 12-bar blues to create one very hip solo, as we’ll do for the very last step of this lesson. Visit our corporate site. See Issue 2 of GC mag for our inter-view with Jimmy. Once your bag of guitar tricks is filled with these two very famous and important blues licks, it is essential that you start using them in a musical situation such as an improvisation. Future US, Inc. 11 West 42nd Street, 15th Floor, The bends to the b5th (Eb) and the b7th (G) tantalize our auditory nerves before resolving smoothly to the 4th (D), which is the root of the IV chord. You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. The only addition to the two licks is the note that is indicated with the blue circle. bass – Basic Bass Lines and Scales. Categories: Advanced, Banjo, Intermediate, Skills. Indie Courses are video course downloads produced independently from TrueFire. Use your first finger to … Let’s check ’em out! Low to high, use your index, ring, middle and pinkie fingers on this chord, and don’t ignore that quarter-step bend. To play this lick you want to begin by bending the 7th fret of the third string up a whole step. I’ve picked licks that are rock, blues, folk, pop and Hawaiian in style so there’s something for you no matter which style you’re into. By doing so you can make use of other types of dynamics into your guitar playing which aren't otherwise possible. The reason why blues music has such a unique sound lays in the fact that the tonality changes a lot from minor to major sounds. Luca’s licks really stood out and I really enjoyed learning them. booklet was designed to coincide with the Learn from the Lick Series – Rock Licks course. T-Bone Walker showcased similar hot licks in his Description Blues and Alimony Blues. on countless tunes, including Please Love Me, and appropriated globally by blues merchants everywhere. Make sure that you barre fret 5 with your index finger after the blue note bend at fret 8. The technicality of this blues lick is not of the most difficult nature. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. guitar – 12 bar solo – 3 phrase style. Soloing Over Blues Progressions - A More Effective Approach Most guitarists are taught to play minor pentatonic or the flat 5 blues scale when soloing over a 1 4 5 blues progression. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. This lick comes from Fat’s intro on ‘Rock This House’ from the complete 1979 studio sessions. Often recorded in educators’ home studios, these products present fresh educational concepts and effective teaching methodologies. Indie Courses are video course downloads produced independently from TrueFire. You’ll notice that playing both licks after each other won’t sound that great. Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. 3 (CD included) (Jazz… by … The Evolution of Modern Blues … While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. This collection of 30 licks will inspire you new ideas using the minor pentatonic scale and multiple keys and in multiple tempos. To finish off my top 5 blues guitar riffs, here is the classic T-Bone intro to ‘Stormy Monday’. From Robert Johnson and Elmore James to Derek Trucks, Gary Clark Jr and Dan Auerbach, slide has long been at the heart of blues. B Analysis Of The Famous Blues Lick’s Technicality. So find a lick or two that you like and practice it up and down the neck. Playing the exact right notes at the exact right time so they fit the underlying chords is a very important skill. You can drop any of these into a blues-based progression and come out smiling. Spoonful is a blues song by Willie Dixon that was first recorded in 1960 by Howlin’ Wolf. Let’s check ’em out! Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. 3 Minor Blues Licks. This Version is just to help everyone with a couple licks they can use that sound great. BLUES LICKS. A quick run through these shapes will help wake up our hands and minds. Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, Marshall) The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. Presented here for your edification are 12 classic blues phrases, each with a certified pedigree. A lick contains a few notes which belong together like words in a sentence and have special meaning or express a certain feeling. © You must gain the knowledge of the scale where the lick is derived from. To help you take minor blues scales into your lead guitar studies, here are three licks that use this scale over different chords and progressions. When listening to the best blues guitarists you'll notice that there are several famous licks they use all of the time. For example, playing these licks in a minor blues setting will end very bad. This second blues lick sounds very tasty due to the use of double stops. As a reminder, these licks are only played over one chord at a time, compared to every chord in a blues with the minor blues scale. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. Take long licks, short licks, parts of a lick, glue one lick after another, etc. In the next scale diagrams you can clearly see which notes from the tablature above belong to which corresponding parts of the minor and major pentatonic scale: When you learn licks, it is always very important that you don’t fall in the trap of just copying licks. Most of them are simple, and easy to use in a wide range of musical situations – rock, blues, alternative, country, you name it. Listen to his song 'Hide Away' and you will clearly notice the lick that is analysed below. T-Bone Walker – Stormy Monday . Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. The first blues lick to learn on guitar is derived from the famous master blues guitarist Freddy King. You can learn from the masters. Take long licks, short licks, parts of a lick, glue one lick after another, etc. This riff demonstrates some beautiful slow blues chords with an augmented triad.. Each jam track includes a full band playing minus the lead guitar. In some ways, you are getting 2 lessons in one. Most of them are simple, and easy to use in a wide range of musical situations – rock, blues, alternative, country, you name it. King had been heard tweaking up the tension in his solos with this slippery triplet pattern, shown in FIGURE 10. The bend of the b7th (G) to the root (A) should be executed with the pinkie, backed up by the ring, middle and index fingers. bass – walking bass lines for common chords. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. Our first lick, FIGURE 4, is a striking opening phrase to be played over a I chord. Each lick is accurately tabbed in PDF and GP6 format. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. The double stops leading from bar 3 to 4 are played using pick and fingers. Use your first finger to minimise string noise. This is a long lick and the rhythm is tricky so learn it in small pieces and practice it slowly. Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. Be Creative, Inspire, and good luck to anybody who uses them, hopefully you find these licks … guitar – Aberdeen by Della Mae YOUTUBE. NY 10036. B.B. guitar – 12 Bar Blues in E – with jazz chords. Walk down the chromatic run (E-Eb-D) with your ring, middle and index fingers. Enjoy the old-timey feel of these timeless masterpieces. Place your slide on your third or fourth finger and aim directly over the fret you're playing (not behind it). This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. When you combine the smoothness of the … Use one continuous upstroke to zip down the run to the 5th (E). The mighty T-Bone cut heads in tunes like Strolling with Bones with this powerful diminished chord voicing, shown in FIGURE 11. This note is the high e string and also the root note of the E minor and the E major pentatonic scale, which makes it perfect to use as a glue to form one compelling blues lick out of the two smaller licks. Enjoy the old-timey feel of these timeless masterpieces. Use your index finger for the b3rd (C) and the bend and vibrato'd major 3rd (C#). Our simple lick will help you develop this tricky technique. so you'll need to have done some work on your bending before having a go at these licks! Combining binary and ternary rhythms is one of the skills that will enrich your phrasing skills remarkably. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. This item: Vol. Any listing of the great blues guitar licks would have to include its fair share of B.B. We’re simply playing them in a row, as presented, with a few slight modifications in rhythm. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. Prominently displayed in Crosscut Saw and Born Under a Bad Sign, it hovers and swoops like bird of prey. In this free downloadable ebook on How To Play Licks Over Any Blues Chord you’ll learn exactly what to do when improvising over blues chords. Often recorded in educators’ home studios, these products present fresh educational concepts and … Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit to the lick. Thank you for signing up to GuitarPlayer. Additional songs include All the Love I Miss Loving, As the Years Go Passing By, How Long Blues, Hesitation Blues, Corrine Corrina and Stagerlee. The II-V7-I Progression: The Most Important Musical Sequence in Jazz, Vol. Lick 1. Take your short blues licks and connect them into longer flowing phrases that extend beyond the box pattern. This is about the easiest and most relevant way to do this. In a solo you can use all these licks as a base, combining them and using additional notes. The use of the b5th (Eb) - played straight on rather than bent up to - is more characteristic of jazz than blues, but the pattern makes for a dandy turnaround lick over the I chord when you want to maintain a scalar approach. Considered by many to be the first electric guitar hero, Mike Bloomfield favored tangy bends like the one shown in FIGURE 9 in Don’t Throw Your Love on Me So Strong and I’ve Got a Mind to Give Up Living. Rocking The Blues Jimmy Dillon is something of a Blues legend and this 3 DVD course will really have you play-ing like the Blues greats. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right … B.B. Categories: Advanced, Banjo, Intermediate, Skills. It is a copy, that’s no secret: Duane Allman borrowed it from Albert King’s “As The Years Go Passing By” from his 1967 album Born Under a Bad Sign . Get the latest news, reviews and product advice straight to your inbox. Melodic Style Blues Licks quantity. The third pattern, FIGURE 3, commonly called the “B.B. Bend the b7th (G) of the scale to the root (A) with your ring finger, and hold the bend while you add in the b3rd (C) with your pinkie. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. In this video I’ll show you the complete process on how to combine short licks into one longer blues lick: On the tablature above you’ll notice both blues lick 1 and blues lick 2 that are merged together. Spend some time listening to and transcribing your favorite guitar solos. You can drop any of these 12 classic phrases into a blues-based progression and come out smiling. More Details... 96 Rock Licks Ready to take the step from Rhythm to Lead Guitar? Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. This compact shape, known colloquially as the “Albert King Box” - because King virtually lived there after he signed with Stax/Volt Records in 1966 - is an especially finger-friendly position. Then, if you want to play that lick over C7, you have to move it to a C major blues scale position. banjo – 3/4 Time Blues Licks. To give you an idea on how this method works, I’ll show you how to combine the two blues licks that we covered in this article. #01: SRV: P1 Flat 5 Slide Starting my new Weekly Blues Lick series is a great lick from Stevie Ray Vaughan. One advanced and one intermediate. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. King employed a lick like the one shown in FIGURE 5 in his track Sweet Little Angel from Live at the Regal. A. Luca has very kindly allowed me to post some of those licks here for you to learn. Blues Lick #7: Strange Blue Disraeli Gears, the follow-up to Fresh Cream, found the band stepping into psychedelic territory, with more adventurous songwriting and wilder tones—including Clapton’s first … Depending on your current level of ability, you may or may not find these licks super-easy, but with a bit of practice they should provide a relatively achievable way of getting a bit of speed into your playing. Okay, so that’s enough chit chat, let’s get started with these Licks. This lick is in the key of E and you can play it using a flatpick or some basic fingerpicking. (Image credit: Michael Ochs Archives/Getty Images), John Petrucci: Recording Guitar is Like Trimming Your Beard, Tempered Tonewoods and Meticulous, Minimalist Builds Give the Novo Solus F1 and M1 a Winning Vintage Character, Keith Richards Discusses the Joys of Blending Lead and Rhythm Playing, His Love of Chuck Berry, and More in 1977 GP Interview, Gibson Les Paul Traditional Pro V & Pro V Satin Review, Keeley Unveils New Daniel Donato Cosmic Country Phaser Pedal. These 5 licks use only notes from the Minor Pentatonic, and incorporate string bending (as most blues licks do!) Breaking free momentarily from the tyranny of the scale, FIGURE 8 purveys a sliding IV6-to-IV9 chord pattern beloved by the likes of Johnny Moore (who played with Charles Brown in the 1940s) and T-Bone Walker. Acoustic Blues Guitar Lick by Jody Worrell is a free lesson that will teach you a great way to kick off an acoustic blues tune. bass – Basic Bass Lines and Scales. The lick starts with a Charlie Christian esc diminished lick followed by some punchy 9 th and 13 th chords played with big band type rhythms and appears at the very beginning of the … How To Use Your Blues Licks During Improvisations. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. Initially this transfer happened by ear but nowadays a lot of people rely on tablature. Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit … Take a look at the video to get a clear hang of the sound of this guitar lick. You can learn from the masters. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. As an aspiring blues guitarist it is really important to create a 'bag of tricks' filled with guitar licks. They are practical and I use them a lot in my playing. Take a listen for example to the style of Stevie Ray Vaughan who’s constantly using short cliché blues licks that are glued together to make it really big and powerful. This Rock Licks course comes complete with three DVDs, and an audio CD with ten full on audio jam tracks. I love the groove and his feel is just magical. Try doing the same yourself. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. This particular example, with a root-4th (A–D) dyad thrown in, was used by the underrated Lonnie Mack in Down and Out. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. Perform the slide with your index finger, nicking the dyad with your pinkie. It is a great way to start a phrase, or a great way to extend a phrase with a new idea. Dig that the root (A), b5th (Eb) and b3rd (C) are right out of the A blues scale, while the 6th (F#) hints at the A Mixolydian mode. If you listen to blues music you will notice that a lot of classic blues licks return all the time, not as separate licks but they are combined into one bigger lick. In the key of A, the b5 is Eb, that note we’re grabbing at the fourth fret on the second string in this lick. so you'll need to have done some work on your bending before having a go at these licks! All of the licks that we’ll look at here will be presented in the context of an A major blues. B.B. Start with your ring finger, using it for the full-step bend and the repeat of the root (A). SRV is for many people on of the finest blues players of all time and he has loads of awesome licks that are great to steal and work into your own playing. Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, … Make sure to take a look at the video so you know how this second blues lick sound. One of most popular Blues rock licks in history is the intro of Eric Clapton’s Layla. FIGURE 16 presents a very straightforward take on our 12 licks. New York, bass – walking bass lines for common chords. For those willing to pay their dues and play the blues, these licks are a rite of passage and a continuous source of inspiration. I want to play like that and slow blues is my favorite thing. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. Jody will teach you how to play the lick with note by note instruction covering techniques like slides, hammer ons, stops, and triplets. The quarter-note bend that begins each beat imparts an elastic feel that is quite captivating. Start with your index finger, switching to your ring finger for the full-step bend of the 5th (E) to the 6th (F#). Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. All great blues master guitarists use them in their own solos, so neglecting this aspect is a huge loss for anyone who tries to play blues guitar. Improvisational skills and help to create a good end result to and transcribing your favorite guitar.. Lead guitar ’ in the work of B.B cut heads in tunes like Strolling with Bones with lick... Luca has very kindly allowed Me to post some of those I-IV-I-V7 turnaround licks. 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