At age 12 he was recommended for the Ithaca Conservatory of Music, where he was classically trained in violin. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. So help yourself to his more, if you will. Stan Levey. One of the most substantial biographies Ive read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. Hes just so damn elegant. LaFaro and his stellar bandmates pianist Don Friedman and drummer Pete LaRoca run through four jazz standards, including two takes of Sacre Blu. Bill had first heard Scotty with Chet Baker three years earlierNot long after we were back off the Goodman tour, there was a call waiting for Scottythat Bill wanted him to work with him., The first meeting of what became known as the trio took place at a Tony Scott recording date on October 28 and 29, 1959. My mom was still pregnant with my last sister. In the latter case, Getz fired LaRoca and hired Roy Haynes, but Kenton wasn't about to be second-guessed. It was there his career exploded. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. Ornette Coleman was another musician who appeared on the Jazz Abstractions datebut as with Dolphy and Evans, on just half the recordand I often imagine the conversations he might have had with LaFaro during breaks and between takes about what Coleman had in mind for the next day. Scott LaFaro was born 64 years ago . Right there on stage, Stan stopped playing and yelled, MF, Ive got the melody! Notwithstanding flair-ups of this kind, Kuhn says that Getz held LaFaro in the highest regard. Gloria Gabriel was one of the dancers. The highlight of the session was Scotts original, Misery (to Lady Day). Evans biographer Peter Pettinger said of the dedication to Billie Holiday, Not much happens, but a wavelength is established. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. HOMETOWN Newark, NJ, United States of America BORN April 3, 1936 Similar Artists Paul Motian. Its no knock on Charlie Hadena formidable pioneer himselfto say that if hes a bass player, LaFaro is something else, to use the Coleman argot. So if you were all living in California, how was it that your brother was near Geneva when he died? Oscar Peterson Trio . After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. It was an idyllic childhood. All is possible, and then all is no more. A copy of the latest annual report may be obtained from the Smith Center or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271. Just about any jazz fan knows that on June 25, the 25-year-old had been in NYC as part of Bill Evans trio at the Village Vanguard, cutting the Sunday live date that will be reissued and repackaged so long as the earth continues to spin. LaFaro left Morrow and settled in Los Angeles in 1957. LaFaro also played opposite bassist Charlie Haden in alto saxophonist Ornette Coleman's experimental double quartet on Free Jazz. He played a lot of top, cymbals, and Scotty wanted more drums, says Kuhn. The helmsman remains present to take us many places where we otherwise might not have gone, and no one has steered that ship better than Scott LaFaro. But LaFaro makes the music pulsehe provides its heartbeat and flow. Ornette drew mixed reviews everywhere including Monterey, where his performance of Youll Never Know elicited a scathing review from John Tynan, who said it was patently bad, disturbed, and utterly unhappy. Still, he singled out LaFaro for his brilliant technique and ideas [that] were remarked on by all., Scotty was given to introspective thoughts about where the music was going and what he recognized as the increasing distance between jazzs new direction and the public. [3] He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. The young bassist was friends to other artists and art during his all-too brief sojourn upon the mortal coil. And there truly couldn't be a better way to . Q: When did your brother start getting interested in music? We think of LaFaro as a jazz bassist with leanings toward classical music; its the lan, I think. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. Scott LaFaro - Death. He had an incredible ear. Scotty sat in. At that years Monterey Jazz Festival, LaFaro performed with both the Coleman Quartet and Gunther Schuller. Performance & security by Cloudflare. Composer: LaFaro Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. How did that happen? Labels. Pictures of people only please! When Scotty came east to play with Goodman, he shared a cold-water flat in the East 70s with Freidman that went for $18 a month. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. He was his own thing. Our Dad was from here. I return to the idea of the helmsman, because LaFaro always plays as if hes en route to some vital destination, and hes helping to take other musicians there, and, of course, those of us who are listening in. Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. Shortly after, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham Prescott. https://www.youtube.com/watch?v=faSD3g1ndHE, LaFaro began working regularly with Ornette after Evans became ill with hepatitis in July 1960 and went to Florida to recuperate at his parents home amid rumors that hed died. We spoke with LaFaro-Fernandez by phone to give us a glimpse on her brothers formative years in Geneva. He died near Geneva in an auto accident in 1961. Pianist Walter Norris described him as a "wild fire," and said "he never used any stimulants to enhance life, but his every moment was seriously lived to the fullest." Is that a bass thing? He emphasized high notes, could play with great speed and his interplay with Bill Evans in their trio was mutually stimulating and influential. Search Music. LaFaro began by practicing his fingers off. Mom needed the money. Other birthdays Monday: Jimmy McGriff, 64; Harold Vick, 19361987; and Eric Kloss, 51. Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. - The Absolute Sound Scott LaFaro's Pieces of Jade features long-lost material recorded in New York City shortly before the bassist's death in a car accident in 1961. Our Dad was from here. Died . In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York,[5] on U.S. Route 20 between Geneva and Canandaigua,[9] four days after accompanying Stan Getz at the Newport Jazz Festival. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. All rights reserved. Active. Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. Scotty also befriended the pianist-composer Victor Feldman, and recorded with him and drummer Stan Levey in January 1958. Colin Fleming writes fiction and nonfiction on myriad topicsart, film, music, sports, literature, current eventsfor a wide range of publications, and talks regularly on radio and podcasts. RE: Person I Knew is a tribute to bass legend Scott LaFaro, who died tragically in a car accident 50 years ago this year at the age of 25.Phil Palombi plays the EXACT bass that made Scotty a legend on the Bill Evans Trio, Live at the Village Vanguard Sessions!. Press question mark to learn the rest of the keyboard shortcuts, https://www.youtube.com/watch?v=gZ_rZZusz90, https://www.youtube.com/watch?v=RbTEgBEaEM4. My day consists of such a singular preoccupationthe physicology of music. It was then he fell in love with the tenor saxophone. His records with Bill Evans are among the finest jazz trio discs ever made. 1926). When Scotty was in sixth grade we took our first piano lessons. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York, [5] on U.S. Route 20 between Geneva and Canandaigua, [9] four days after accompanying Stan Getz at the Newport Jazz Festival. This is the best piano player Ive ever heard. It was Evanss 1956 debut album,New Jazz Conceptions. Musician. So they were constantly trying for fresh approaches and fresh improvisationsAnd Bill told me, I remember it exactly, If I played the same lick on a tune two nights in a row, the next time I playe dit Scott would play it with me in harmonyhe would actually harmonize it so that at that point it was time for me to get rid of that lick and move on to something else.Is that what LaFaro was trying to bring to Getzs attention at the Blackhawk? To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. In 2007, 46 years later, Roy introduced Helene to the great bassist Christian McBride. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. We also spent time at the First Presbyterian Church choir. Joe LaBarbera, who drummed in the trio with Evans and Johnson, says, Bill said regarding Scott and the music, that Scott hated it when it remained the same. The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz . We would explore all around our neighborhood on West Street our house was where the elementary school is. Q: What happened to your brother after Ithaca College? When did your brother start getting interested in music? An investigation is underway after two people were killed in a crash involving a big rig along the . He became a professional musician in New York City during the Roaring 20s. Its there for a reason, and thats not solely to complement the proof of the magic that occurred at a New York City club in late June 1961. One of the most substantial biographies I've read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. When Scotty was killed at age 25 (I was 24), I was devastated I couldn't play for months. Composer: Gillespie I quit very fast, but he was a natural. Chops: What Bassists Listen for in Drummers, The 10 Best Jazz Albums of the 1950s: Critics Picks, Year in Review: The Top 40 Jazz Albums of 2022, Year in Review: The Top 10 Historical Albums of 2022, Chops: What Bassists Listen for in Drummers. Jade Visions: The Life and Music of Scott LaFarorecounts how three days after his appearance at the Newport Jazz Festival with the Stan Getz Quartet, hed driven to Geneva, NY to take care of some business related to his mothers home there. The 25-year old Scott LaFaros death in a car accident shortly after was a major shock to the jazz world. Composer: Porter There was great rapport. LaFaro's death took an enormous emotional toll on Bill Evans, who was, according to drummer Paul Motian, "numb with grief," "in a state of shock," and "like a ghost" after LaFaro's death. Dave Green joins Alyn Shipton to pick the essential recordings of fellow bassist Scott LaFaro's brief but brilliant career, including work with Bill Evans. Tragically, LaFaros chance to see how far his talent would take him was cut short when he died in a car crash near Geneva in July 1961 at the age of 25. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. What were Scotts childhood and teen years like here in Geneva? There is a creek that ran through the park, it would go up past Shuron Optical where they used this rouge chemical to make glass lenses, so the creek was always red. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. Friedman relates inJade Visions,He used to play my piano, and was very interested in minor 7thchords with the flat 5th. Toggle filters. . It is LaFaros bass that makes this thing go, such as it does go. Brockton-born alto player and clarinetist Dick Johnson was also on the band. Also included is "Porgy", originally omitted for lack of space.[]" Steve Kuhn, who felt a brotherly kinship with Scotty and says his sudden death was the first major loss of my life, describes him as very strong-willed. (He also says that LaFaro, who was a fan of Formula One and sports car racing, drove a little too friskily for my taste.) A case in point was LaFaros departure from Kenton, which was precipitated by his displeasure with the bands new drummer, a situation that would repeat itself in 61 when he insisted that Stan Getz replace drummer Pete LaRoca. "Route 66" songwriter Bobby Troup was the show's host. The car, tree and garage all caught fire. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. LaFaro-Fernandez: Scotty and I were born in New Jersey but we moved back to Geneva in 1942. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. You know how some people (and you may be one of them) like to go on YouTube and listen to isolated Beach Boys backing vocals and John Bonham drum parts? The tendency is to associate him with classical predilections, but here he is at one of the zeitgeist-shaking avant-garde sessions, and boy, does he drive the sound. He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. On date night, people would end up at The Smith. A master of the upright bass, he recorded with Bill Evans and Ornette Coleman before he died in a car crash at age 25. Scotty sort of led the way on the bass becoming a solo instrument in its own right. The rest is told in his gripping visuals, The Exhibit: Finding the Next Great Artist. Youll have to adjust your ears, but theyll fall into line quickly. Born in Newark, New Jersey, United States,[1] the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. He says they formed an immediate friendship, and that musically, Id never felt such an instant connection. LaFaro is heard soloing while George Duvivierplays the bass riff that Percy Heath had introduced on the first recordings of "Django" by the Modern Jazz Quartet. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. The texture, however, is the back of the handthats the form of caress, rather than the rough-skinned palm. The album included five tracks recorded in New York City during 1961 with pianist Don Friedman and drummer Pete LaRoca.[13]. Q: Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? jazz bass Another link(Born: April 3, 1936 in Newark, NJ, Died: July 6, 1961 in Geneva, NY)During his tragically short life, Scott LaFaro quickly developed into one of the most advanced bassists around, competing with Charlie Haden and Charles Mingus. The Jazz la Mode Blog has plenty to stimulate your interest and curiosity in American music. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. ", https://www.youtube.com/watch?v=IIzbINNrqcQ. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. The National Endowment for the Arts (NEA) has We calculated our top 40 new releases of 2022 We calculated our top 10 historical/reissue You never quite knew what Chicago bassist Kelly Sill was going to play (or what he was going to say). On this Wikipedia the language links are at the top of the page across from the article title. Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. Published since 1970, JazzTimesAmericas Jazz Magazineprovides comprehensive and in-depth coverage of the jazz scene. He wanted the conversation back and forth between each of the players, and he wanted to play melody. Scott LaFaro - Artist Details. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. He quoted Evans, who said, Im hoping the trio will grow in the direction of simultaneous improvisationIf the bass player, for example, hears an idea that he wants to answer, why should he just keep playing a background?, Scotty, of course, heard and answered plenty of ideas. Evans, according to Motian, would play "I Loves You Porgy," a song with which he and LaFaro became synonymous, almost obsessively, but always as a solo piece. LaFaro-Fernandez, Helen; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009). LaFaro spent most of his days practicing his instrument. He remembered that Scotty was dressed up for the Newport appearance. Also, Club 86 was bringing in major stars as well. Scotty had the concept for a trio to be conversational instead of the classic structure, instead of bass and drummer just keeping time. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. He was a musician from age 4. The two albums released by Riverside Records from that fabled performance,Sunday at the Village VanguardandWaltz for Debby, have long stood as his epitaph. Scott was extremely picky and choosy, and he wanted to call the trio. [My] early years at the university were thoroughly engaging intellectually but were also a time of deep introspection. The 25-year old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. Following the Vanguard engagement, LaFaro played with Getz, Steve Kuhn, and Roy Haynes at Newport on July 2. In May 1960, the Bill Evans Trio joined in a program at Circle in the Square that was devoted to Gunther Schullers jazz compositions. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 7 May 1960. It was written with so much love and insight. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. Evanss illness resulted in the cancellation of a long engagement opposite Thelonious Monk at the Jazz Gallery. He stuck with his new hire, offered Scotty the option of plane fare to New York or L.A., and showed him the door. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. Everyone heard him. ~ Charles A. Ralston, A Site About Dead Musicians and how they got that way. Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. [9], Writing for AllMusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. I still have people from all over the world knocking at my doorstep, wanting to see where Scotty played. LaFaro achieved fame in the Bill Evans Trio, which he joined in 1959 and which featured Paul Motian on drums. Composer: Hammerstein II / Kern We are in a fix! LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. The Getz Quartet, with either Henry Grimes or Jimmy Garrison spelling LaFaro (Kuhn cant recall for certain), was playing that week at Saranac Lake in the Adirondacks. Both Nat Hentoff and Ralph J. Gleason took note. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. Hentoff heard LaFaro as the most important new bassist since Paul Chambers and Wilbur Ware, and added, It may be necessary to add for those hearing LaFaro for the first time that his bass is not electronically amplified. On West Street our house was where the elementary school is keeping time stage, Stan stopped playing and,! The most substantial biographies Ive read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted her... We went wherever the music pulsehe provides its heartbeat and flow Ive ever heard there truly couldn & # ;... During the Roaring 20s Day consists of such a singular preoccupationthe physicology of education! 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